Big Weather, July 1974…WAGA Atlanta
In the summer of 1974, before chroma key walls, virtual sets, or the sleek digital graphics we take for granted today, weather forecasting at WAGA Atlanta was a hands‑on craft — part science, part stagecraft, and part controlled chaos.
The centerpiece of the WAGA weather set was a sprawling wall of oversized maps, each one a physical object that had to be built, mounted, maintained, and updated by hand. The U.S. map we see was framed in what looked like raw plywood but was actually covered in tan felt. Every weather shift began with a ritual: sorting the magnets, checking the fronts, and making sure nothing had fallen off since the last newscast.
Beside the maps sat an easel holding a freshly printed satellite photo — a single still image representing the cutting edge of meteorological technology at the time. In the larger markets, these photos arrived daily, and when they did, they were treated almost like breaking news. Viewers didn’t get loops or animations; they got one snapshot of the planet and a meteorologist who had to interpret it live.
Capturing all of this was one of WAGA’s five Norelco PC‑series color cameras, workhorses of the era and a point of pride for the station. WAGA had invested heavily in production capability when they moved from West Peachtree to Briarcliff Road in 1965, and by the mid‑60s they had even added a sixth Norelco — a rarity for a local station. In those days, WAGA was considered a powerhouse in Atlanta, out‑equipping competitors like channels 2 and 11, which operated with only RCA TK‑42s.
The photo from July 1974 captures all of this: the tactile tools, the craftsmanship, the analog charm, and even the presence of a rare “cameragirl,” a reminder that women were beginning to break into technical roles that had long been male‑dominated.
It’s a snapshot of a transitional moment — the last years before plexiglass maps, before chroma key became standard, before the weather center turned into a digital command hub. Back then, weather wasn’t just presented. It was built. Thanks to Craig Cuttner for the picture.
After this came plexiglass maps
WAGA initially had 5 Norelco cameras when they moved from West Peachtree to Briarcliff Rd in 1965. But as I recall, they acquired a 6th Norelco some time around 1966 or ’67. WAGA was a powerhouse production facility in Atlanta in those days. While WSB had their TK-42s, they only had 3 cameras. WAGA was far better equipped in the ’60’s than WSB-TV.
I miss the big maps. When I worked at KYW Philly in ’84 the weatherman would bring us a drawing and we had to set up the maps with magnetic letters and icons. (IATSE rules)
Who’s the woman?
I worked for the NBC station in Miami back when we still had big maps on the wall.
cameragirl!