Oh, Now I See How They Do It!
Oh, Now I See How They Do It!
Ever wonder how they got a lot of driving sequence shots? Me too, but now we see how it’s done. This is called a ‘Process Trailer’. When the platforms on each side of the car are let down, the rig is 15 feet wide, but with them up, it’s the width of a normal trailer. Next time you see a driving scene in an older production, look to see where the center lane marks are in the background. Process trailers are still in use, but these days there are a lot of very clever car mounted rigs.
Bridge to Captain Pike? It could have been!
Bridge to Captain Pike?
It could have been! In a very unusual twist, NBC ordered a second pilot of Star Trek. In the original, the captain’s name was Christopher Pike and was played by Jeff Hunter. In the second pilot, James T Kirk appeared as William Shatner was now free from obligations that prevented him from doing the first pilot. Creator Gene Roddenberry shows us some rare footage and tells the story. Below is the original Enterprise model being readied for the second pilot.
Law & Order: A Quick Look Behind The Scenes
Law & Order: A Quick Look Behind The Scenes
Nice look at some of the sets and locations and a look back at the cast members that have played the principal rolls.
http://www.youtube.com/watch?v=-gQYHYP_m-g
Take a quick behind the scenes look at NBC’s Law & Order, which is celebrating its 20th season. The show’s new night and time is Friday at 8:00 PM ET/ 7C on …
Grenoble Winter Olympics: 1968…
Grenoble Winter Olympics: 1968…One Of The Few Bright Spots
1968 was a hard year in America. Robert Kennedy and Martin Luther King were assassinated. Riots were everywhere after the King killing, there were riots over the war in Vietnam and riots in Chicago at the Democratic Convention. Bras and draft cards were burned, but, the Olympic flames in Grenoble warmed us a bit with the success of Peggy Fleming and the US hockey win over Russia. The year ended on an up-note with 3 American’s circling the moon.
First Grammy Telecast: 1971 on ABC
First Grammy Telecast: 1971 on ABC
Although the Grammy Awards began in 1958, it took an unbelievable 13 years for the show to come to television. ABC broadcast the first two, but since, CBS has had the show. Andy Williams was the host and presenters even included John Wayne. Below, ABC’s promo for the event.
Funny Stuff! ‘Everybody Loves Raymond’ Outtakes
Funny Stuff! ‘Everybody Loves Raymond’ Outtakes
http://www.youtube.com/watch?v=SAOGRAfVMKg
Everybody Loves Raymond Bloopers – Season 3
The Cussin’ Cowboys From The Ponderosa! “Bonanza” Bloopers
The Cussin’ Cowboys From The Ponderosa!
First, this clip appears to freeze a few times, but let it play…it’s not your computer…just the way is was recorded. Second, the ‘good hard cussin’ is in the last half. Interesting to see Hoss without his hair piece. Enjoy!
http://www.youtube.com/watch?v=f0Yso9Vwh_A
Bloopers from the hit western Bonanza. Be warned there is some bad language.
The First Major ‘Shrinkage’: 1977
The First Major ‘Shrinkage’: 1977
The RCA TK760 was the fist ‘light weight’ color camera that could handle a box lens. In essence, it was a TK76 ENG camera modified to be used with a big viewfinder and lens. Some broadcasters used them in the studio while NBC chose to use them on their sports and remote trucks. In 78 and 79, NBC bought around 40 of these to replace the 35 Norelco’s on the trucks that were purchased around 1967. Thanks to David Crosthwait for this photo taken in 84 at Mile High Stadium in Denver. I wonder what ever happened to the 6 RCA TK41s that NBC stored at the stadium?
The Kraft Television Theater: NBC, May 1947 – October 1958
The Kraft Television Theater: NBC, May 1947 – October 1958
After the Kraft Television Theater ended, TV Guide did a tribute article about the series. The article stated that the series had aired more than 650 plays that were chosen from 18,845 scripts. The rehearsals for the 6,750 roles took 26,000 hours on 5,236 sets. The first play had cost $3,000 to produce and the last cost $165,000!
The Kraft Television Theater didn’t take summer breaks and aired pretty much twelve months out of the year for its entire run and was done live each week.
Incredibly, the show was so popular and so well funded by Kraft that it aired on both NBC and ABC (but on different nights) during the Fall 1953 and Fall 1954 seasons. Why? Kraft had a new product…Cheese Whiz and they wanted to sell more! It would be interesting to know if the ABC shows were kine copies of the NBC show that aired earlier in the week, or, ‘the best of’ some of the shows from past seasons.
Kraft continued to sponsor TV shows after the Kraft Television Theater ended but they switched from dramatic anthology series to musicals bu bringing the Music Hall from NBC radio to NBC TV in 1958. Milton Berle hosted during the 1958 season. Beginning with the fall 1959 season, Perry Como became the host, and continued until 1967 (as a monthly series from 1963 through ’67)
The photo below was taken during rehearsal for the December 16, 1953 broadcast of ‘To Live In Peace’, staring Anne Bankroft. This was telecast in compatible color the night before the FCC gave the official go ahead for commercial color broadcasts. The studio was the famous RCA/NBC color testing facility, The Colonial Theater. The camera is an RCA TK40.
The Whole Story In Detail: Ed Sullivan and The Beatles!
The Whole Story In Detail: Ed Sullivan and The Beatles!
There are a number of stories regarding exactly how The Beatles came to appear on The Ed Sullivan Show. The most popular is that in 1963, while arriving at London’s Heathrow airport, Ed Sullivan and his wife Sylvia encountered thousands of youngsters waiting excitedly in the rain. When Sullivan asked what all the commotion was about, he was told that a British band named The Beatles was returning home from a tour in Sweden. When he got to his hotel room, Sullivan purportedly inquired about booking the group for his show.
However, it was not until later that year that The Beatles’ manager Brian Epstein reached an agreement with Ed Sullivan to bring the group to America to perform live for the first time on U.S. television. Following dinner at the Hotel Delmonico in New York City, a handshake between the two men sealed the deal for performances on three shows to air in 1964. In return, The Beatles would receive $10,000 for their three appearances and top billing. FYI, Elvis Presly got $50,000 for 3 appearances.
Prior to their debut on the Sullivan show, The Beatles’ record “I Want to Hold Your Hand” was leaked in advance of its planned US release to radio stations across the country. When attorneys for Capitol Records were unable to stop American DJs from spinning the tune, the record label relented and, on December 26, 1963, dropped the album ahead of schedule. The record sold 250,000 copies in the first three days. By January 10, 1964 it had sold over one million units and “I Want to Hold Your Hand” was the number one song on the Billboard charts by month’s end. In the weeks leading up to The Beatles’ performance on The Ed Sullivan Show, Beatlemania went viral. Radio stations played the band’s music nearly non-stop; teenaged fans sported “Beatle” wigs, and bumper stickers across the country warned, “The Beatles Are Coming.”
The Beatles touched down at New York’s Kennedy Airport on February 7th, 1964. They were met by a throng of reporters and a hoard of three thousand screaming fans. Upon disembarking the plane, The Beatles were whisked to a press conference hosted by Capitol Records in which they playfully answered questions from the media.
While The Beatles spent the next two days cooped up at The Plaza Hotel, fans did all they could to get closer to the band. Groups of teenagers set up camp outside The Plaza, some even posing as hotel guests in an attempt to see their favorite group. As the show approached, over 50,000 requests for seats came into CBS. However, The Ed Sullivan Show, which originated from CBS’s TV Studio 50, could only accommodate an audience of 700.
For weeks, celebrities were calling in to get tickets for their kids. Walter Cronkite and Jack Paar scored seats for their girls; composer Leonard Bernstein tried but failed; while Richard Nixon’s 15-year old daughter, Julie, became one of the lucky few to get a seat. Even Sullivan himself had trouble getting extra tickets. On his show the week before The Beatles’ debut, Ed asked his audience, “Coincidentally, if anyone has a ticket for The Beatles on our show next Sunday, could I please borrow it? We need it very badly.”
It should be remembered that while this hullabaloo was happening, there was still an air of gloom in America. Just 77 days prior to The Beatles’ appearance on Sullivan, President Kennedy had been assassinated. By now, the country was ready for some much needed diversion, and it came in the form of four young lads from Liverpool – their sound, their look, their energy and their charisma.
At 8 o’clock on February 9th 1964, America tuned in to CBS and The Ed Sullivan Show. But this night was different. 73 million people gathered in front their TV sets to see The Beatles’ first live performance on U.S. soil. The television rating was a record-setting 45.3, meaning that 45.3% of households with televisions were watching. That figure reflected a total of 23,240,000 American homes. The show garnered a 60 share, meaning 60% of the television’s turned on were tuned in to Ed Sullivan and The Beatles. Cumulatively, the four shows attracted an audience of a quarter of a BILLION people. In terms of percentage of America’s population, the first two shows remain the highest viewed regularly scheduled television programs of all time.
Ed opened the show by briefly mentioning a congratulatory telegram to The Beatles from Elvis and his manager, Colonel Tom Parker and then threw to advertisements for Aero Shave and Griffin Shoe Polish. After the brief commercial interruption, Ed began his memorable introduction:
“Now yesterday and today our theater’s been jammed with newspapermen and hundreds of photographers from all over the nation, and these veterans agreed with me that this city never has witnessed the excitement stirred by these youngsters from Liverpool who call themselves The Beatles. Now tonight, you’re gonna twice be entertained by them. Right now, and again in the second half of our show. Ladies and gentlemen, The Beatles! Let’s bring them on.”
At last, John, Paul, George and Ringo came onto the stage, opening with “All My Loving” to ear-splitting screeches from teenaged girls in the audience. The Beatles followed that hit with Paul McCartney taking the spotlight to sing, “Till There Was You.” During the song, a camera cut to each member of the band and introduced him to the audience by displaying his first name on screen. When the camera cut to John Lennon, the caption below his name also read “SORRY GIRLS, HE’S MARRIED.” ( this was mimicked in the movie That Think You Do). The Beatles then wrapped up the first set with “She Loves You,” and the show went to commercial. Upon return, magician Fred Kaps took the stage to perform a set of sleight-of-hand tricks.
Concerned that The Beatles’ shrieking fans would steal attention from the other acts that evening, Ed Sullivan admonished his audience, “If you don’t keep quiet, I’m going to send for a barber.”
As hard as Ed tried to protect them, the other acts that night suffered from the excitement surrounding The Beatles. Numbered among those performers were impressionist Frank Gorshin, acrobats Wells & the Four Fays, the comedy team of McCall & Brill and Broadway star Georgia Brown joined by the cast of “Oliver!”
The hour-long broadcast concluded with The Beatles singing two more of their hits, “I Saw Her Standing There” and “I Want to Hold Your Hand” to the delight of the fans in attendance and those watching at home.
The show was a huge television success. As hard as it is to imagine, over 40% of every man, woman and child living in America had watched The Beatles on Sullivan.
John Moffitt, then Assistant Director of The Ed Sullivan Show recalls, “Nobody realized the impact to come, how momentous it would be. We didn’t talk about making history. It was more like, ‘What are we going to do next week? Not only are we doing this again, we’re on location.’”
That’s because The Beatles’ second appearance on February 16th, 1964, was broadcast from The Deauville Hotel in Miami Beach, Florida. Moffitt remembers how fans took over the venue, and when it was time for The Beatles to perform, a teaming throng of teenagers blocked the group’s access to the ballroom. As security guards wedged a passageway through the crowd for The Beatles, the show was being broadcast to America. Unaware of the delay, Ed was about to introduce them. Moffitt recalls…
“Ed is saying ‘And now, here are—(a beat)—The Beatles right after this.’ And he went to a commercial. And during the commercial, finally at the end, The Beatles broke through, they came running up the aisle, they got hooked up, and I believe there was one microphone that didn’t get hooked up. But you couldn’t tell because all you could hear was the screaming.”
Audio difficulties aside, the boys plowed through “She Loves You,” “This Boy” and “All My Loving” for their first set, then turned the stage over to the comedy team of Allen and Rossi (“Hello, Dere”), singer/dancer Mitzi Gaynor, acrobats The Nerveless Knocks and monologist Myron Cohen.
The Beatles returned to close the show with performances of “I Saw Her Standing There,” “From Me to You” and “I Want to Hold Your Hand.” After they finished, Ed called them over and congratulated them, passing along word that legendary composer Richard Rodgers was one their “most rabid fans.”
Again, The Beatles on Sullivan proved a huge ratings success, nearly duplicating the record-setting performance of their first appearance. The second show also attracted 40% of the American population.
The Beatles third and—according to their contract—final performance on The Ed Sullivan Show was technically their first. The show was taped prior to their live February 9th debut, but saved for broadcast until February 23rd, 1964. On this show, The Beatles sang “Twist and Shout”, “Please Please Me” and “I Want to Hold Your Hand.” Other guests that night included stand-up comedian Dave Barry, Gordon and Sheila MacRae, and the legendary American jazz singer Cab Calloway.
On September 12th, 1965, The Fab Four returned to the Ed Sullivan stage one last time. They played “I Feel Fine,” “I’m Down,” “Act Naturally,” “Ticket to Ride,” “Yesterday,” and “Help!” This performance was taped in New York on August 14th, 1965, just one day before The Beatles kicked off their North American Tour with a concert at Shea Stadium that set the attendance record for an outdoor show at the time.
The final appearance of the Beatles on Ed Sullivan, like those in February 1964 aired in black and white. However, at the end of the evening, Sullivan broke the news that the following week, his show would start broadcasting in color. In fact, the show moved to Television City in Los Angeles for 6 weeks of color broadcasts while Studio 50 was being overhauled for color with new lighting and six, custom made Norelco PC71 cameras. The man CBS put in charge of the overhaul was Joseph Flaherty who spoke about that here last week.
These four historic Beatles performances on The Ed Sullivan Show featured 20 Beatles songs—seven of which became Number One hits. Their success on The Ed Sullivan Show paved the way for future rock ‘n’ roll groups dubbed the British Invasion, including The Rolling Stones, The Animals, The Dave Clark Five, Herman’s Hermits,The Searchers, Gerry and the Pacemakers, Peter and Gordon, etc.
The genius of The Beatles and the American institution that was The Ed Sullivan Show combined to create one of the most defining and indelible moments in the history of music, television and pop culture. It was a remarkable convergence that came at a special time in America, making an impact on the world that will never be duplicated.
Thanks to SOFA Entertainment for much of the information above. The company is owned by Andrew Solt, who in 1990 purchased the complete video library and all rights to The Ed Sullivan Show. The site, linked below, has the best historical information on the show and the theater I have found so far. Many thanks to Mr. Solt for preserving these historical treasures for generations to come!
http://www.edsullivan.com/
Beatles Prelude: A Few SURPRISES!
Beatles Prelude: A Few SURPRISES!
In 1964, today February 8th, would have been Saturday. The first Beatles rehearsal for Ed Sullivan began at 1:30 PM Saturday afternoon at Studio 50. Here is a rundown of the day and a few BIG SURPRISES!
Surprise 1…The Beatles ‘THIRD’ appearance was actually their FIRST appearance! The Sunday afternoon dress rehearsal (2/8/64) was taped with a different audience than the ‘debut’s show, and was played back as the third consecutive week of the Beatles live on Sullivan. The play back date was February 23rd.
Surprise 2…George Harrison almost didn’t make it! He had strep throat and a fever of 104. He was not at the Saturday rehearsals. That’s why you only see John, Paul and Ringo in the shot with Ed examining Paul’s Hofner bass guitar.
Here’s what happened at Studio 50, 49 years ago today…
In the morning a press conference was held in the Baroque Room at New York’s Plaza Hotel, where The Beatles were staying. Following this John Lennon, Paul McCartney and Ringo Starr went for a walk and photo opportunity in Central Park, where their every move was followed by around 400 female fans.
George Harrison was suffering from a streptococcal sore throat, and so remained in the Plaza. He was joined there by his sister Louise Caldwell, who lived in Illinois.
The doctor said he couldn’t do The Ed Sullivan Show because he had a temperature of 104! But they pumped him with everything. He was thinking about getting a nurse to administer the medicine, every hour on the hour. Then the doctor suddenly realized that George’s sister was there and he said to her, ‘Would you see to it? It’s probably just as well that you’re here because I don’t think there’s a single female in the city that isn’t crazy about The Beatles! You’re probably the only one who could function around him normally’.
At 1.30 PM, The Beatles – minus George – traveled by limousine to the CBS studios on Broadway for the first of several rehearsals for their debut appearance on The Ed Sullivan Show. During the journey their cars were charged by fans, and mounted police were forced to intervene to keep order. Ten mounted police guarded the studio along with 52 officers while The Beatles were inside. Their first duty was to join AFTRA and the musicians’ union.
For the rehearsals, road manager Neil Aspinall stood in for George, as did production assistant Vince Calandra, while the director rehearsed the camera positions for the following day’s show. It’s a good thing there were several camera rehearsals…during the show, none of the cameramen could hear the director in their headphones! The screaming fans were just too loud.
Afterwards The Beatles asked to see a playback of their rehearsal, which no other musical act had previously asked for. In the evening Lennon, McCartney and Starr went to the famous ’21’ restaurant with George Martin and executives from Capitol Records. The Beatles ate chops while their music industry companions had pheasant.
Heavy Metal Flashback: 1971
Heavy Metal Flashback: 1971
With football and TK41s on my mind, I thought this would be an excellent time for a second visit to Texas Tech with ABC! Enjoy!
Amazingly, till now, there are only 5 or 6 photos of TK41s showing them at football games. In this great 8 photo array, we see the ABC live trucks arrive with 6 TK41s on board, the hard slog of getting them in place and finally victory as two of the titans of color are set up and ready. Interestingly, these photos were taken in 1971 at Texas Tech. Enjoy and tell your friends to come take a look!
Dumont Iconoscope Camera Chains
Dumont Iconoscope Camera Chains
Pictured here are two complete chains for studio and field use. Everything on the cart can be placed in a truck or control room, but notice the two elements at the foot of each tripod. Those had to be with the camera head…one element is an amplifier and the other, a power supply. Dumont made a pedestal that housed both, and that pedestal was nick named ‘the ice cream truck’ for some reason. When the camera was mounted on a tripod, things got a bit tricky because you either had to be stationary or have a special wheel set that included a solid base to set these elements on.
I think the electronic viewfinder was a fantastic addition and have no idea why RCA did not do this early on too. It may have been because of the extra outboard gear as I think at least one of the elements located with the camera head was involved in powering the viewfinder. Does any one know more about these cameras and which pieces of gear do what?
Did She Really Say That? Yep! MTM Bloopers…
Did She Really Say That? Yep!
This is funny and you’ll hear some words from George Carlin’s ‘7 Words You Can’t Say’ routine…even from Mary! Enjoy!
http://www.youtube.com/watch?v=O4XHXeiMRSk
This is the original gag reel from the final season of the MTM Show. Enjoy!
Surprise Discovery! Sam Donaldson…Cub Reporter, 1967
Surprise Discovery! Sam Donaldson…Cub Reporter, 1967
At 11:05 you’ll see WTOP TV shooting film then picking up the story in the studio with a very young Sam Donaldson on the set with an RCA TK41. You’ll even see him in the viewfinder! Sam’s part actually starts at 10:27 and he is back with the TK41 at 13:15. Enjoy!
Up Close And Personal, Here is a good look at the Chapman Hi-Lo
Up Close And Personal
Here is a good look at the Chapman Hi-Lo sideline camera rig. It was built a couple of years back for ESPN but saw duty at this year’s Super Bowl. The weights under the lenses are counterbalances for the cameraman’s weight. The top platform can swivel 360 degrees and the bottom about 240 degrees. What a great ride!
In The Beginning…ESPN The Entertainment and Sports Programming Network
In The Beginning…ESPN
The Entertainment and Sports Programming Network, had a very interesting beginning in Bristol, Connecticut, and believe it or not, came to be with the help of Getty Oil. The whole story is at the bottom link. The photo is from Day 1 and shows their first cameras, the Norelco PC70s on the Sports Center set.
The Very Last RCA Cameras Ever Made
The Very Last RCA Cameras Ever Made
Both of these cameras are RCA TKP 47s. The blue version was introduced at the NAB in 1982…the grey version is the final configuration of the TKP 47 and appeared in 1983. Production stopped in 1984. In 81, the last studio cameras had been made in Camden when the TK47 and TK761 lines were halted.
In 1984, RCA Broadcast Systems Division ceased operations and moved from Camden, to the site of the RCA antenna engineering facility in Gibbsboro, New Jersey. In the years that followed, the broadcast product lines developed in Camden were terminated or sold to Thomson. Most of the buildings demolished, except for a few of the original RCA Victor buildings that had been declared national historical buildings. For several years, RCA spinoff L-3 Communications Systems East was headquartered in the building, but has since moved to an adjacent building built by the city for them. The remaining RCA buildings now houses shops and luxury loft apartments.
Last Of The RCA Studio Cameras: The TK47
Last Of The RCA Studio Cameras: The TK47
From 1979 till 1981, RCA made 238 TK47s. In ’79, 36 were built, 118 built in ’80 and in ’81, the final run of 84 cameras were built.
It would be interesting to know who the last TK47s were sold to. This photo is at WBNS in Columbus, Ohio.
The RCA Orthicon Tube
The RCA Orthicon Tube
Harley Ambrose Iams and Albert Rose of RCA developed the tube in 1938. Although it was a simpler design than the Iconoscope, building this tube was much more difficult. This 4 Inch RCA Orthicon tube was 18 inches long.